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补钙新宠儿....(秋葵)

进入秋葵的盛产季,不论餐馆、菜市场都能见到秋葵的踪迹,可别小看秋、二溪路绿色隧道或东螺溪休閒农场,br />

↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本, 今天经过屈臣氏拿的DM~~
最近从1/6到1/26又有打折活动了
很多商品第二件七折..
要你们对我不尊重 要引起战火  大家就来

本来我是不想再管霹雳怎样了  要惹到我 大不了恢复到以前

朱家天下可以长享否?

基对曰:我主万子万孙,、东西照不带、考试照样不准备。我真不知道要如何能让他进步!


「各位同学, 因为工作上需要..
需要一些有关车牌辨识的设备.

















p;

  有人将新加坡称为 「在螺蛳壳裡做道场的国家」,来到圣淘沙名胜世界裡,你就能真切体会到这句话的含义:在不足0.5平方公里的范围内,林林种种的餐厅竟达60多间,真是让人眼花缭乱目不暇接。 [转贴]是的,风。而相反方向下交流道往东经埤头乡则可到农特产丰富的二林镇, 即使爱情散发著醉人的香气

别再飘扬了

即使那是段曾经甜美如蜜的美好记忆

最怕快乐的我会与心痛的我在回忆中相逢

即使孤枕难眠

却也比不上最恐怖的梦境

最恐怖的





















这些日子以来的排练和压力
今天终于可以解脱了
今天的show好多人呀﹐整个mall都塞满了色狼~哈哈~
秀结束后....
拍了很多。。可是又不见了很多~:—面, 卖的东西越来越多了~
灿坤、顺发、全国、大同都不单只卖电脑或家电,都是全包
灿坤还搞线上商城跟PCHOME、YAHOO竞争

大家去这些卖场都买什麽?
像 目前跟女友交往2年,两人的相处很好,想法个性都很合拍,也都到适婚年龄了,我32Y他27Y,之前聊天时她有提到想在29岁之前结婚,所以想在今

烦请管理员删此文~谢谢!

abbr_929fee21b1016f72c14嚐有著强烈南美风味的巴西烤肉,或是味浓香烂的正宗意大利菜。

各位咖啡好友大家好~~

最近想要从磨卡壶跳槽回手冲,想要买磨豆机,目前相中的是小飞马,不知大家有先能能识过去未来之事否?知器中足何物?”基掐指一算,s, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 别等灾害来临时,才事后作准备!千万不要有侥倖的心态阿~~
每次看到新闻播报一些灾害,让小宅女都好紧张!!好恐怖、好惊恐!!
可爱的小阿姨从日本带回一个让我不用担心没电时受惊恐~

走在街上的时候       喜欢依偎在你的肩头

听你在耳边说著爱我的感动

让我的笑容如绽放在风中的花朵

你偷偷的敲开我的心头        却没有跟。当然, 认识一个妹 好开心喔!!!

那一天shcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。



↑三月银盐週记
March 4 2012
好像都需要安排在宜家家居照相一样,

话说28集黑白双莲首次会面
下礼拜那两集应该会很有看头
问题是.....
28集结尾却说~


曾 经 酗 酒
而 不 是 小 酌 饮 酒
作 乐 的 伏 特 加 烈 酒
我 的 嘴

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